Folk Music: 
More Than A Song

   

The following short articles (bios) are excerpts from the book "Folk Music: More Than a Song" (1976) by Kristine Baggelaar and Donald Milton:

The Kingston Trio

Vocal and instrumental group, performers, and recording artists

Considered by many to be the most influential group of the recent urban folk revival, the Kingston Trio — formed in 1957 to play for free beer at a local college-oriented nightspot — went on to become one of the best known and most popular folk acts in the United States. People in all parts of the country started playing the guitar and banjo in imitation of the Kingston Trio, and new groups sprang up everywhere as the country "rediscovered" folk music. The folk boom was precipitated by the Kingston Trio's recording of the Southern murder ballad "Tom Dooley," originally collected by Frank Warner from the singing of Frank Proffitt. Out of the folk boom phenomenon came some of this country's most acclaimed folksingers and composers, including Joan Baez, John Denver, Bob Dylan, Tom Paxton, Peter, Paul and Mary, and many others. The Kingston Trio also influenced many of today's traditional singers, such as Michael Cooney and Jeff Warner, who were awakened to the spirit of folk music and then traced the music to its roots. Although the reasons for the success of the Kingston Trio are complex, sociologically, conditions were ripe for them. There was a musical void left when Elvis Presley went into the army, and, besides, people — especially collegians — were becoming generally more aware and more actively involved with others in various activities. With the arrival of the Kingston Trio, the guitar became standard equipment on every college campus, and a timeless musical form o{ expression was rediscovered as the youth of the late fifties and early sixties armed themselves with the music and the basics of communication learned from the Kingston Trio.

Dave Guard, "the acknowledged leader" of the Kingston Trio, was born on November 19, 1934, in Honolulu, Hawaii. He left Hawaii for the mainland to attend Stanford University, completing his BA in 1956 and then entering the Stanford School of Business Administration. Bob Shane, "the sex symbol" of the group, was born on February 1, 1934, in Hilo, Hawaii, where he mot and became friends with Dave Guard during high school. Later on, he left Hawaii to attend Menlo Park School of Business Administration. Nick Reynolds, "the runt of the litter," was born on July 27, 1933, in San Diego, California. After trying different colleges, he enrolled at Menlo Park School, where he met Bob Shane, who then introduced him to his friend Dave Guard. The three started hanging around together, swapping songs and singing at parties and for free beer at local bars.

The group started performing professionally at a small San Francisco club called the Purple Onion. The Purple Onion had a reputation as a "discovery club," and the trio had been trying, initially with little success, to obtain a booking there; when it finally happened, they were given a one-week stand. The trio proceeded to send postcards to everyone they knew, asking them to come.

The postcard idea worked. The place was packed, and the Kingston Trio became its headliner one month later—remaining there for another eight months.

In January 1958, the trio cut its first album, called The Kingston Trio (Capitol T996), which was released in June of the same year and included "Tom Dooley," which was issued as a single soon thereafter. By November, "Tom Dooley" was No. I on the charts. In 1959 the trio logged close to three hundred days on the road, performing everywhere from the Newport Jazz and Folk Festival to Forest Hills in New York to college field houses to nightclubs across the nation.

In 1961 the famous singing trio lost its leader Dave Guard as a result of irreconcilable internal strife, leaving Reynolds and Shane to look for a replacement. Reynolds then invited John Stewart, who had previously written songs recorded by the trio ("Molly Dee" and "Green Grasses," among others), to Shane's house in San Francisco to audition for the vacancy. They liked Stewart and offered him the job.

Filling Dave Guard's spot with the trio was not an easy job, as John Stewart explains: "At first it was an exciting idea to take the place of Dave Guard, but then, when I got into it, I realized that the reason I had liked the Trio was because Dave Guard was in it! It was a thrill to be part of it, a great thrill, but I felt alien because I hadn't started it, I was the new guy, and I no longer enjoyed the Kingston Trio because I was doing it. The sound was different, and I thought it was much better with Dave. I was a salaried member, hired by the Trio, and I got five hundred dollars a week whether or not we worked."

Finally, in 1968, with over thirty albums released, the Kingston Trio disbanded— leaving behind a generation turned on to a great heritage of folk music.

Today, Dave Guard lives in the San Francisco area and is involved in teaching music and writing; Nick Reynolds lives on his ranch in Oregon; Bob Shane continues to tour with a band called the New Kingston Trio; and John Stewart is a successful solo performing and recording artist.

-- Folk Music: More Than a Song; Copyright © 1976 by Kristine Baggelaar and Donald Milton. Thomas Y. Crowell Company, New York, NY, publisher.

 


John Stewart

Contemporary singer-songwriter, guitarist, banjoist, performer, and recording artist

Singer, performer, and composer of bygone rural Americana and former member of the Kingston Trio, John Stewart is best known for his colorful lyrics, the emotive content, and the dynamic stylization of his original works, such as "Mother Country," "California Bloodlines," and "Survivors." A versatile songwriter, he defies categorization; in addition to material recorded by his first group, called the Cumberland Three, and the Kingston Trio, Stewart also penned cash box hits for his brother Michael's rock group (We Five) and "Daydream Believer" for the Monkees.

Born on September 5, 1939, in San Diego, California, Stewart was raised in Riverside and Pasadena, and he learned to play the ukelele as a boy. In his teens, he was the leader and guitarist for John Stewart and the Furies, which recorded a single for Vita Records, "Rocking Anna," but folk music was a motivating force in his life from about 1958 on: "Burl lves gave me the first inkling that there was another kind of music that I could play on my guitar besides rock 'n' roll, and then it was the Kingston Trio, and, from there. Pete Seeger and the Weavers.

"After I graduated from high school in Pomona, I worked a club called Cosmo Alley in Los Angeles, with a college buddy named John Montgomery, and we were known as John and Monty. We played there, and then I worked at the Kerosene Club in San Jose with the Smothers Brothers, and it was during this time that I was writing a lot of folk-type songs such as 'Molly Dee' and 'Green Grasses,' which were recorded by the Kingston Trio. I got to know Frank Werber and the guys in the trio, and one day Frank called me and said, 'Roulette Records is looking for a folk group, can you put one together?' So I called John Montgomery and my choir teacher from high school who played bass, Gil Robbins, and we flew to New York. We were the Cumberland Three, and the group was manufactured out of need of a record company wanting a folk group in 1960. Mike Settle joined the group after we met up with him while we were out on the road in Oklahoma, with Shelley Berman. The group recorded three albums for Roulette, but they're all out of print now.

"After a year and a half, Gil Robbins left the group, and then Dave Guard left the Kingston Trio. Nick Reynolds told me to come out to San Francisco to audition for the job, so I went out and auditioned in Bob Shane's basement amidst gun racks and Gold Records. Also auditioning were Chip Douglas from Hawaii, who later went on to produce about five of the Monkees' hits, and I think Travis Edmonson was the other person. In the meantime, Mike Settle was sitting in a hotel in San Francisco, waiting to see whether or not I was going to play an engagement with him—and decided to write songs—and composed 'Sing Halleluja,' which became a folk classic and really started his songwriting carper. Travis Edmonson never did show up. I joined the trio, and Mike went on to sing by himself for a while.

"In 1966 I told them I was leaving, and, after ten years, Nick decided it was time to get off the road. So he went up to live on some property in Oregon that he had. and Bob Shane continued and still plays with the New Kingston Trio.

"I had given a year's notice before I left the trio, and during that interim I was looking around to see what I was going to do. For a while, I was going to sing with John Denver. John and I rehearsed two songs, 'Daydream Believer' and 'Leavin' on a Jet Plane.' Everyone sort of yawned and looked pleasant, and later those two numbers went on to be number one in the country. John's writing was going one way and mine was going another, so then I decided to put together a group with Henry Dulce, who was with the Modern Folk Quartet, but we needed a girl singer. We found Buffy Ford about five miles from where I was living, and, when Henry's photography business started picking up, he didn't have time to rehearse, so Buffy and I sang as a duo—John Stewart and Buffy Ford. We did an album for Capitol called Signals Through the Glass, but it sold only three thousand to four thousand copies, and we played the Hungry i and a few clubs and college concerts, but mainly we campaigned for Robert Kennedy when he was running for president.

"After that, the songs started to dictate where I was going all along, and it became more and more personal, and that's when I recorded California Bloodlines [Capitol ST-203]."

John Stewart recorded one more LP on the Capitol label, Willard (ST-540), and two albums for Warner Brothers. In 1973, with his new band, he made his first recording for RCA, Cannons in the Rain (LSP-4827), followed by The Phoenix Concerts (two- record set, CPL2-0265) in 1974, and Wingless Angels (APLI-0816) in 1975.

-- Folk Music: More Than a Song; Copyright © 1976 by Kristine Baggelaar and Donald Milton. Thomas Y. Crowell Company, New York, NY, publisher.

 


The Whiskeyhill Singers

Vocal and instrumental group, performers, and recording artists

The Whiskeyhill Singers was formed by Dave Guard after he left the Kingston Trio in 1961. Guard, who "wanted a quartet like the Weavers," got together world-traveler Cyrus Faryar, who was living in California and was performing as a solo folk musician, Judy Henske, who had migrated from Wisconsin to the West Coast and had been billed with Cyrus Faryar in San Diego, and another Californian, David "Buck" Wheat, who was finishing up an Eastern tour as bass player for the Kingston Trio.

Guard had grown up with Faryar in Honolulu and had heard that he was active as a folk performer on the small club circuit. When Guard presented Faryar with hi5 idea for the new group, Faryar quickly accepted and then told Guard about Henske. Guard flew to Oklahoma City to meet Henske and to listen to one of her performances. As he recalls: "She was great. So I told her that if she did well, she could be famous and have a ranch in Oregon with wild horses oil ft!" Henske accepted his offer.

Guard's premise in organizing the Whiskeyhill Singers was "to get the smartest people I could find and to try to rack up the most interesting band I could." The formula, however, did not work. The Whiskeyhill Singers were together for only a brief period before the group disbanded. They recorded one album for Capitol, Dave Guard and the Whiskeyhill Singers (Capitol T 1728), and they did a soundtrack for the film "How The West Was Won," which won an Academy Award for Best Musical Score.

-- Folk Music: More Than a Song; Copyright © 1976 by Kristine Baggelaar and Donald Milton. Thomas Y. Crowell Company, New York, NY, publisher.

 

 

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