| Remember the Alamo
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Available
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ELSEWHERE ON THIS PAGE: |
| Bob Shane (vocal, guitar), Nick Reynolds (vocal, guitar), Dave Guard (vocal (solo), banjo), Buck Wheat (bass) 10-6-00: | ||||||||
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| Song Specific Liner Notes | ||
| ALBUM | NOTES | |
| The Kingston Trio At Large | REMEMBER THE ALAMO (Jane Bowers) was written by Jane Bowers, a proud Texan who knows much of Texas lore, and has constructed several songs from her knowledge. The Trio met her when they were performing in Austin. | |
| The Kingston Trio: Their Greatest Hits and Finest Performances | Remember the Alamo (Bowers) One of
the many folk songwriters that The Kingston Trio
championed during their heyday was Jane Bowers, a Texan
who based most of her work on local folklore. The group
first encountered her during a date in Austin and then
recorded several of her songs. One was "Remember the
Alamo," a tale of .lames Bowie, Davy Crockett and
the other 180 men who gave their lives for Texas's
freedom. © 1994 The Reader's Digest Association, Inc. © 1994 The Reader's Digest Association (Canada) Ltd. © 1994 Reader's Digest Association Far East Ltd. Philippine Copyright 1994 Reader's Digest Association Far East Ltd. All rights reserved. Printed in the United States of America. |
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| Other Notes of Interest | ||
| Posted by Pete Curry to The Kingston Trio Place Musicians' Rendezvous on January 07, 2001 at 13:35:32: | I had always assumed that
the Trio was the first to record it. But today I noticed
on a Tex Ritter CD I have ("High Noon," Bear
Family Records, 1992), that Ritter recorded the song in
1955, as the flip side of "Gunsmoke." According
to the liner notes, it was used in the Warner Brothers
picture, "Down Freedom Road." (Ritter recorded
for Capitol, and that may have been how the song came to
the Trio's attention, if they were not familiar with it
already.) It is interesting to compare the
texts of the two versions, which shows the Trio's
excellent A
hundred and eighty were challenged by Travis to die Chorus: Jim
[Old] Bowie lay dyin', his powder was ready and dry (Chorus) A
courier sent [They sent a young scout] to the
battlements, bloody and loud (Chorus) |
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| Than you to Louie Seven for bringing this December 2003 article to the LINER NOTES attention. | Full Story of the Alamo
Puts Legend in a Different Light
A revealing documentary examines the history of the pivotal massacre in 1836. By Ted Mahar Sometimes history just will not stay put. The History Channel documentary "Remember the Alamo" illustrates the fact that history can be elusive, subversive and useful. George Orwell's "1984" hero Winston Smith works in a government office, revising history on a daily basis. The past – even last week's past – can be evoked to rouse pride, anger or dread, whichever seems best suited to stirring the proper public attitude or action. Of course, the very phrase "Remember the Alamo" played its role in stirring Gen. Sam Houston's men into defeating Gen. Santa Anna in the weeks following his massacre of the Alamo defenders and other Texans at a place called Goliad. One of the nuggets unearthed in the documentary is the never-hidden but little-known fact that many factions lived in Texas in the early 1800s. One was Texians, people from a foreign country – the United States – who moved to a part of the Spanish empire called Texas to farm and make a new life. Others were Tejanos, Mexicans who moved to Texas for the same reason. They were generally friendly with each other and wanted to colonize their areas peacefully. Spain was a sclerotic empire losing its grip on its vast North American territory. A new, dangerously vigorous empire was swarming west and south and gaining speed. It doubled with the Louisiana Purchase, which Lewis and Clark's Corps of Discovery explored. And Mexico grew rebellious. Before the fall of the Alamo in March 1836, Texas was Mexican, not Spanish, as was the West Coast up to what is now Oregon. The Texians and Tejanos who occupied the Alamo in February 1836 took positions in a long-abandoned, partly ruined complex nearly a century old. Part of it had been a church, but not for decades. Santa Anna felt he was quelling a subtle invasion of Mexico -- which was not always subtle. Another group of Americans, called filibusters, favored armed seizure of Texas. Filibuster forays and skirmishes ended mostly in tactical defeat, but Santa Anna felt that they justified his fatal campaign. Making extensive use of re-enactors, "Remember the Alamo" recounts not just the history of the siege but the history of its history. Useful as the battle was in stiffening rebel morale, after the war the Alamo itself quickly became just another army base in a region that could still be called frontier. The research and reverence that made the Alamo famous again started late in the1800s. And while the true history was never concealed, what grew up in the late 1800s was the legend of the Alamo. Col. David Crocket, Col. William Barrett Travis and Jim Bowie were cast as heroes who came to fight for freedom and against tyranny. Santa Anna became the invader. The defenders were cast as all English-speaking Americans. Tejanos disappeared. When expected reinforcements failed to arrive, and the desperation of the crisis became evident, well, a folk song (popularized by the Kingston Trio) summed it up: A
hundred and eighty were challenged by Travis to die The documentary ignores the mythical line in the sand, which entered the legend late in the century. Travis and Bowie were heroes at the Alamo but scoundrels up to then. Travis fled wife, child and debts a few years earlier. Crockett sought military glory to revive a failed political career. Travis was one of the first killed. His slave Joe survived. If Bowie was alive when the battle started, he was bedridden and dying. Crocket may have survived the battle and been executed, facing death bravely. The defenders numbered closer to 250 but were still far too few to defend the grounds of the Alamo. Santa Anna spent 13 days bombarding the walls. The defenders spent 13 sleepless nights repairing them. In films the battle is fought in daylight, but the real battle was over by sunrise on March 6, 1836. The documentary mentions several films, including John Wayne's tribute to the legend, but doesn't debunk them in detail. Another History Channel documentary surely will do that when the new Alamo film comes out next year. This documentary does not debunk so much as tell the further story, with plenty of Latino historians along with anglos. The story was always there, never hidden. But this documentary surely will tell you plenty you never heard or even thought of before. |
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| Covers by other artists | ||
| Artist's Name | ALBUM | CATALOG NO. |
| Tex Ritter | Album N/A (LP) 1955 | Label N/A |
| Johnny Cash | Ring of Fire (LP) 1963 | Columbia CL-2053/CS-8853 |
| Donovan | Catch the Wind (LP) 1965 | Label N/A |
| Tex Ritter | Sweet Land of Liberty circa 196? | (S)T-2743 |
| Gamble Moore (Roger Gambill & Larry Moore) | Cub Creek Mulberry (LP) circa 1971 | Audio Media AM-103 |
| Tex Ritter | High Noon (CD) 1992 | Bear Family |
| Johnny Cash | Ring of Fire (CD) 1995 | Sony Music 66890 |
| Donovan | Catch the Wind (CD) 1996 | Sequal Records CD-1005-2 |
| Charlie Major | Here and Now (CD) 1996 | CD |
| Cowboy Nation | Cowboy Nation (CD) 1998 | Coconut Grove Recording Co. |
| Willie Nelson | Label N/A |
| Remember the Alamo |
| A
hundred and eighty were challenged by Travis to die. A line that he drew with his sword when the battle was nigh. "The man who would fight to the death cross over but he who that would live better fly," And over the line stepped a hundred and seventy-nine. Chorus: Chorus A courier
sent to the battlements, bloody and loud. |