LINER
NOTES:
THE KINGSTON TRIO
THE LAST MONTH OF THE YEAR
Here, in one of the most beautiful and
unusual collections of Christmas music ever recorded, are
songs that capture the sound and spirit of December. --
the last month of the year when people the world over
celebrate, in many different ways, the joys of the
holiday season.
None of the songs in this album is
deeply religious. Instead, each one carries a message
that is universal, reaching beyond the story of Christmas
to encompass the traditional spirit of rejoicing and good
will shared by people of all faiths during this most
wonderful time of year.
Some of the carols trace their ancestry
to medieval Europe and England, where they began not as
sacred music, but rather as lovely popular songs, usually
with a strong devotional flavor.. Many, in fact, were
well-known folksongs which were adapted for this album by
the Kingston Trio.
Researching and collecting these tunes
was indeed a labor of love for Dave Guard, Nick Reynolds
and Bob Shane. Each member of the group made his own,
personal contribution, choosing the carols which to him
best conveyed the spirit of the season. The result is a
collection of songs of rare beauty, reflecting a sincere
Yuletide sentiment that is shared alike by the Kingston
Trio -- peace and good will the whole year round.
 |
| BYE BYE THOU
LITTLE CHILD, or the Coventry Carol,
appeared originally in early 1534 as part of the
mystry play "The Pageant of the Shearmen and
The Tailors." In one scene of the drama.
Mothers of Bethlehem croon this lullaby to their
tiny babies after hearing the terrible order of
King Herod to slay all infants under the age of
two. The tune is the earliest known version,
predates by 57 years the words that were written
for the pageant itself. Found all over Europe,
the British Isles, and Middle Russia, the modal
melody, enhanced here by the celeste, remains in
a minor key but ends on the major third for an
especially beautiful effect. WHITE SNOWS OF
WINTER, adapted from Brahm's First Symphony,
is a Christmas love song, arranged by Bob in
collaboration with Tom Drake. The beautiful
musical setting is evocative of the lover's
plight and its resolution with the arrival of
Christmas.
WE WISH YOU A
MERRY CHRISTMAS, May be performed as a
round if desired, as it used to be in
Worcestershire, with different verses. The
Kingston Trio particularly wanted to use The
Weavers arrangement and version of this tune,
since they feel it is the classic rendition of
the song. In effect, they wished strongly to
second the motion stated so significantly in the
bridge: "Why can't we have Christmas the
whole year around?"
ALL THROUGH THE
NIGHT, with its stately harmonies and gentle
melodic contours, creates the mood of the holiday
season as felicitously as any carol. As the Trio
so aptly sums up this tranquil offering, "Christmas
should be softly spoken . . . "
GOODNIGHT MY
BABY, a father's tenderly-sung lullaby for
his baby son on Christmas eve, anticipates the
excitement in store for both parent and child the
following day. Nick's status as a new father
contributes a meaningful touch to the situation
portrayed.
GO WHERE I SEND
THEE, serves as a children's go-round today,
but was once, with an altered text, a part of the
Jewish Passover service. Known originally as
"The Carol of the Twelve Numbers." This
cumulative song is at least 1500 years old. At
present, scholars are uncertain whether the
Christians adapted the song from the Jews, or
visa-versa. In this spirited rendition, the bass
of Buck Wheat, a permanent adjunct to the Trio,
adds effective rhythmic stimulus to the
accompaniment.
|
 |
| FOLLOW NOW, OH
SHEPHERDS, is and aguinaldo, a
traditional Christmas carol frequently in couplet
form. The term aguinaldo also means "gift."
In Puerto Rico at Christmas time, costumed
singers journey through the vilages, asking for
and singing aguinaldos. The Spanish influence
becomes apparent in the lilting accompaniment,
which weaves a polyrhythmic network in 6/8 time
beneath the singing of the Trio in 4/4. SOMERSET
GLOUCESTERSHIRE WASSAIL, a combination of
traditional English tunes dating from the 18th
century, served as musical fare for troupes of
carolers who, carrying bowls of spiced ale,
traveled from house to house toasting the master.
The word wassail derives from the Old English wes
hal which was a wish for good luck or good health.
To this lusty wassail song, the Bouzouki adds a
harpsichord-like sound.
MARY MILD, a version of the
ballad "The Bitter Withy," is found on
an Oriental legend known is Europe before the end
of the eleventh century. The story, not found in
official church writings, tells of Jesus at the
age of eleven being chastised by Mary for
building a bridge of sunbeams to illustrate his
divine power to neighborhood children who refuse
to play with a child so humble born. The "bridge
of sunbeams" miracle has been traced from
Egypt to Ireland, and to the lives of the
medieval saints.
AROUND ABOUT
CHRISTMAS is an old children's
round based on an English nursery rhyme. As the
line "Please to put a penny in the old man's
hat" suggests, the tune is often sung while
the hat is being passed around for holiday
collections.
SING WE NOEL was once used with
appropriate text as an Easter song entitled
"Love Is Come Again." Based on a lovely
bell-like old melody associated with the carol
"Noel Nouvelet," the piece combines
verses in the Dorian mode with a refrain of
middle eastern character, the Bouzouki
heightening the oriental flavor.
|
 |
| THE LAST MONTH
OF THE YEAR, while not specifically
a spiritual, apparently provides children with a
convenient method of memorizing the proper order
of the months by means of oral transmission. The
song was given to the Kingston Trio by Alan Lomax who, along with Pete Seeger, is investigating the
Southern Negro backgrounds of the tune. The blue-toned
banjo countermelody lends a further note of
interest to the Trio's rocking performance. Produced
by VOYLE GILMORE
|

Pictured
above is the Bouzouki, a Greek instrument with a
unique sound somewhat similar to a lute or
mandolin. The Bouzouki which is used so
effectively in this album was made especially for
the Kingston Trio by George Atanasiou of New York.
|
COMPILATION
PRODUCED AND RESEARCHED BY RON FURMANEK
DIGITALLY REMASTERED BY BOB NORBERG AT CAPITOL
RECORDING STUDIOS, JULY 1989
ANNOTATION BY BOB FURMANEK
SPECIAL THANKS TO: ROBIN CALLOT, DAVE GUARD, NICK
REYNOLDS AND PAUL SURRATT.
THIS RECORDING WAS MASTERED FROM THE ORRIGINAL 3
TRACK MASTER SESSION TAPES -- STEREO "ADD."
SINGS REMIXED BY RON FURMANEK AND BOB NORBERG. |
| 1. |
BYE
BYE THOU LITTLE CHILD
(Dave
Guard) Time: 2:35
Sanga Music BMI
Master # 33988 -- Take 19 Recorded June 16, 1960 |
8. |
SOMERSET
GLOUCESTERSHIRE WASSAIL
(D.
Guard / E.
Schwandt) Time: 1:47
Sanga Music BMI
Master # 33993 -- Take 25 Recorded June 17, 1960 |
| 2. |
WHITE
SNOWS OF WINTER
(B.
Shane / T.
Drake) Time: 2:34
Unichappell Music Inc. BMI
Master # 34042 -- Take 10 Recorded June 23, 1960 |
9. |
MARY
MILD
(Stafford
/ Shane
/ Drake)
Time: 2:50
Unichappell Music Inc. BMI
Master # 33987 -- Take 22 Recorded June 16, 1960 |
| 3. |
WE
WISH YOU A MERRY CHRISTMAS
(Paul Campbell) Time: 1:34
TRO-Filkways Music Publishers, Inc. BMI
Master # 33991 -- Take 19 Recorded June 17, 1960 |
10. |
AROUND
ABOUT CHRISTMAS
(Nick
Reynolds) Time: 1:30
Unichappell Music Inc. BMI
Master # 33989 -- Take 24 Recorded June 16, 1960 |
| 4. |
ALL
THROUGH THE NIGHT
(Nick
Reynolds) Time: 2:44
Unichappell Music Inc. BMI
Master # 33990 -- Take 39 Recorded June 17, 1960 |
11. |
SING
WE NOEL
(Dave
Guard) Time: 2:03
Unichappell Music Inc. BMI
Master # 34043 -- Take 28 Recorded June 23, 1960 |
| 5. |
GOODNIGHT
MY BABY
(Nick
Reynolds) Time: 1:54
Unichappell Music Inc. BMI
Master # 33996 -- Take 21 Recorded June 16, 1960 |
12. |
THE
LAST MONTH OF THE YEAR
(What Month Was Jesus Born In)
(Hall / Tartt / Lomax) Time: 2:37
TRO-Ludlow Music, Inc. BMI
Master # 34006 -- Take 35 Recorded June 21, 1960 |
| 6. |
GO
WHERE I SEND THEE
(Guard
/ Reynolds
/ Shane)
Time: 2:31
Unichappell Music Inc. BMI
Master # 34007 -- Take 28 Recorded June 21, 1960 |
|
The
Last Month Of The Year" was originally
released on October 3, 1960 (Capitol ST-1446)
Charted Billboard December 5, 1960 Reached #11 |
| 7. |
FOLLOW
NOW, OH SHEPHERDS
(Gretchen Guard) Time: 2:49
Sanga Music BMI
Master # 33992 -- Take 17 Recorded June 17, 1960 |
|
Recorded
at Capital Studios, Hollywood
Produced by Voyle Gilmore
Engineered by
Pete Abbot |
(p) (c) 1989 Capitol
Records, Inc. Manufactured by Capitol Records, Inc., a
subsidiary of Capitol EMI Music, Inc.Hollywood and Vine
Streets, Hollywood, California. All Rights Reserved.
Unauthorized duplication is violation of applicable laws.
|